Russian artist Alexander Alexeieff illustrated the song "Et moi je m'enfouiyais" (En passant) using the pinscreen technique. Norman McLaren illustrated "C'est l'aviron" using cartoons on a fixed background; the characters were pasted in as they were drawn.
‘Too esoteric, even for me,’ said McLaren about his The Flicker Film. The famous animator’s most abstract effort is marginalized to the point of being officially labelled as ‘unfinished,’ even though the explosion of high-intensity stroboscopic imagery created by rapidly alternating black...
This cinematic travelogue consists of three parts. In the first part, texts and small maps are our guides through Madrid in 1936. We see pictures of daily life against the background of the fascist shillings. A sad portrait of destroyed houses, the search for survivors under the rubble, and...
A color cocktail by Norman McLaren and Evelyn Lambart, translating into moving patterns of color and light the moods of music written for a jazz ensemble by Eldon Rathburn. Inscribed and colored directly on film.
An animated film in which colored shapes dance to calliope music. The visuals were drawn by Norman McLaren directly upon the film with pen and ink. Simple forms dance about the screen to the discordant strains of an old-time circus calliope.
This animated short co-animated by René Jodoin and Norman McLaren was produced for inclusion in the Let's All Sing Together sing-along series. It illustrates the popular song Alouette, gentille alouette. The technique used is single-frame animation of paper cutouts.
An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.
