When Canada entered World War II, the National Film Board suddenly had an urgent new mission—and hundreds of women stepped forward, helping to create Canadian cinema as we now know it.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of...
At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with...
Norman McLaren was a cinematic genius who made films without cameras, and music without instruments. He produced sixty films in a stunning range of styles and techniques, collecting over 200 international awards, and world recognition. In Creative Process, director Donald McWilliams demystifies the...
This film illustrates the life of the film director, Shui-Bo Wang in The People's Republic of China. We learn of the life of the director in his own words and images from a child steeped in the values of Chinese communism exemplified by Chairman Mao, to a young man striving to live up to those...
Not only did Norman McLaren create his own film imagery, he also made his own music by drawing, etching and photographing patterns directly onto the sound track area of the film, becoming a pioneer of electronic music long before the invention of the synthesizer. Norman McLaren: Animated Musician...
This short documentary follows a group of students from Hamilton, Ontario, on a rare three-week “tour” of China in 1972. These teenagers were the first North American students to visit China since 1949, when Mao Tse Tung’s Communists overthrew the Nationalist Government of Chiang Kai-shek.
In The Passerby, poems, home movies, interviews, photographs, and footage filmed all over the world combine to form a kind of necromancy: impression, imprint, appearance of many lives that were not lived without a trace. What can be read out of pictures and movement, facial expressions and...
Canadian poet Earle Birney indulges his love of trains in this performance of his sound poem To Swindon from London by Britrail. In fluent "trainish," he interprets the experience of excursions by rail. Imagination sparked by the rhythm of wheels and the clink of couplings, Birney hums, hisses and...
