A scattershot documentary about punk rock film makers in New York, with contributions from Lydia Lunch, Henry Rollins, Richard Kern, Beth B, Nick Zedd and many others. A love letter to the New York Underground.
In the unsettling, absurdist SIMONLAND, a grotesque, televangelist-style demagogue leads his studio audience and isolated viewers through a psychotic game of Simon Says with twisted results.
Reveals the extreme measures lawmakers and critics go through to censor avant-garde artists, who walk the fine line between art, perversion, religion and devious sexual behavior.
Zarathustra spends his days in his NY apartment, talking to and confiding in a pin-up on his wall, and on this occasion his delusional dialog with the porn idol results in his declaration that he must ‘descend’, as if being reluctantly chosen for some important or divine mission.
An agit-prop edutainment ho down featuring a bevy of warrior lapdancers struggling to overthrow corporate state capitalism and rancid criminal globalisation through amateur wrestling, gun juggling and anarchist debate.
A parody of, and tribute to, Andy Warhol's MY HUSTLER. The film follows Nick Zedd as he illustrates his method of street survival; hustling people for a roof over his head.
Set in a post-apocalyptic future, the story finds a handful of ragged survivors attempting to communicate with aquatic life, while another cadre of survivors have made it their crusade to destroy all the world's religions.
Shot entirely in Ireland and England on film stolen by Nick Zedd, the movie offers a rare glimpse into the unique private world of Lydia Lunch; The footage "narrated" by a break-up cassette sent from Lunch to Zedd.
Totems of destruction and desire. An operation on the combustible urges in a junk black mass. A swiftly-sliced nightmare of history and erotic autobiography.
A woman takes each of her boyfriends - one poor and one rich- for a drive in her new car. Each argues with her and insists on taking the wheel. She beats one of them up, before crashing into a group of youths and, finally, a wall.
Cinema of Transgression pioneers and participants (Lydia Lunch, Lung Leg, Nick Zedd, etc.) perform a series of acts as they submit to director Richard Kern's camera. Originally created for DTNY acid parties; Submit to Me was eventually edited down to 10 minutes and given an accompanying score.
