Old people tend to be kept apart, even humiliated by the new generations. The stories and different destinies of three old persons are linked together, and the realism of it imposes itself on us.
In the Interstices of Reality or The Cinema of António de Macedo
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He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?