Ana María Lynch Movies

During the Korean War, the lieutenant in charge of a Marine rifle platoon is killed in battle. Before he dies, he places the platoon's sergeant, who's black, in charge. The sergeant figures on having trouble with two men in his platoon: a private who has much more combat experience than he does,...

This movie chronicles the trials of the mentally ill and their care-givers in an over-crowded ward of a hospital.

During a mother's dream comes up Gloria Rivas as a vamp who crushes her son's life.

The beautiful wife of a mediocre and good-natured butcher falls in love with a cerebral philosophy professor who little by little reveals to her a horizon that conflicts with her innocence.

Accidental meeting between a pop-music superstar and a politician's daughter turns into a big romance... but class distinctions, and scandal in the family.

In the faraway lands of the south of the Patagonia, in a town made up of wrongdoers and thieves, a mysterious and solitary man takes a prostitute to live with him at his ranch. However, her past follows her, and he is forced to face it head on.

From Emile Zola's novel "La Bete Humaine", tells the story of a jealous husband, a provocative woman and a man with an uncontrollable desire to kill.

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.

The daughter of a fashion house owner falls in love with the designer of a competitor business.

When a man agrees to join a gang of criminals, his life becomes a complicated labyrinth that he will have to leave in order to be saved.

A successful tango singer struggles to cope with the demands and opportunities of fame.

In seventeenth century's Chile a woman kills her lover because she wants to conquer a priest.

Como tú ninguna is a black and white film co-produced by Argentina and Mexico directed by Roberto Ratto according to his own script that premiered in 1946 at the Teatro América and starred José Cibrián and Maritza Rosales.