This documentary about the life and work of filmmaker Jean Painlevé was originally presented in eight parts on French television. It was edited to remove duplicated material from its original length of 240 minutes.
In mud flats along the coast of Brittany we watch acera, small ball-shaped mollusks that are about two inches in diameter. They rest in mud; then, in water, they dance, their skirt-like hood spreading like a dervish's cassock. They spin and spin. The film adds musical accompaniment. We watch them...
After a comic introduction, we look closely at a shrimp. Eyes on stilts, color patterns, pinchered walking feet, a rostrum. We watch shrimp eat using a strong claw and a fine one; we watch digestion. After eating, shrimp clean themselves. The female lays eggs that cling to her feet. After three...
Mathusalem (or Methuselah) is a 1922 play by Ivan Goll, considered a precursor of the theater of the absurd. The 1927 run of the play saw five sequences-- some of Jean Painlevé's earliest film work-- projected against a backdrop of white clouds.
Jean Painlevé is interested here, with the help of Eli Lotar, in crabs and shrimps. He is particularly interested in detailing their anatomy and observing their mating and fighting behavior.
At a marine biology station, a clump of algae reveals polyps, stomachs with limbs, limbs with buds, buds with poison cells. This animal reproduces by buds, which we watch close up in time-lapse images. In another kind of jellyfish, the buds grow inside then live outside for a few days until being...
In a freshwater pond, it's "eat or be eaten." A dragonfly larva eats a midge; a water beetle larva eats a damselfly larva. Snail larvae grow. A beetle larva eats one. Up close, we see the eating apparatus of a damselfly larva—with a retractable hook beneath mandibles. Some creatures bite and...
