The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.
One evening, a married young singer Zoha meets the French lawyer Mathieu in a night club in Beirut. Mathieu will become suspected of spying, while Zoha is trying to flee from her husband. Despite these problems, the two will witness a love story for few days mixed with violence and fear.
“The Nineties had a pretty bad start”, this is how Vincent Dieutre introduces us to the shadows of his personal universe in those years going through Utrecht, Naples and Rome. In these three cities and two love affairs guide a homosexual man on his nightly search for lost beauty. In a cross...
At the end of June in Paris: Mireille accompanies his friend Thomas, a solitary and restless being, during a walk to Père Lachaise. Thomas is very agitated, worried. He confides to Mireille that he wishes to be cremated in the event of death. In September: after a period of holidays, Mireille...
Its light, its smoky bars, its vacant land: the characters that we meet here treasure different aspects of Berlin. Vincent Dieutre puts faces and voices on some of the many artists who have settled there since the collapse of the Wall. Questioning each one about their arrival and possible...
Road trips through Los Angeles, famous verses in the Poetry Lounge and love in times of the pandemic: Rendezvous with an old flame, fourty years later. After Jaurès (2012), Vincent Dieutre presents another tender autofictional piece in the Forum.
A couple travels to Italy. During their trip, the state of their relationship becomes clear to them: They argue, take different paths and wonder whether to divorce. Vincent Dieutre has remade Viaggio in Italia and adapted it to his own life. Alex and Kate have become Alex and Tom, played by Vincent...
Our feelings, our choices, even our death wander on the web like options, like ghosts. For the time of a last train journey, for the time of a love chat, a deadly chat, or an unlikely casting, three generations will try to definitively wrest from virtual nomadism, to put an end to self-exile that...
A journey into contemporary French cinema through a series of exclusive interviews with the leading figures of GLBT French cinematography: André Téchiné, Catherine Corsini, Gaël Morel, Olivier Ducastel, Jacques Martineau and other old acquaintances of our film festival. This documentary offers...
A studio. A man and a woman. Moving images on the screen, which he comments on, spurred on by her questions. All the footage was shot from the window of a flat: views of the street, the metro line running above it, the canal, into the windows of the buildings opposite. The flat belongs to the...
The third, Sicilian, part of the “films of Europe” cycle, Orlando ferito Roland blessé is a multifaceted ‘chanson de geste’, marked by anxiety and irrigated by hope. Or two viatica: the testamentary document written by Pasolini not long before his death (Le vide du pouvoir en Italie),...
One spring evening, Nino, a young writer of flamboyant, kitschy melos, finds himself catapulted into the nightclub of a city on the edge of the world. How did he end up there? Between two drinks, under the benevolent gaze of Rosa, a philosophical barmaid, and Al, a young customer, memories of his...
A filmmaker and his crew try to enter the passionate world of Port-Royal and of Jansenism. Another Age of Louis XIV comes to life, the age of Pascal, Racine and of the “Friends of Truth”. The film itself comes up against the unanswerable question of grace.
Chronicles of a male homosexual drug addict in 1980's in voice-over with long take scenes from Rome, television snippets of news of Gulf War and commercials.
EA3 (Troisième exercice d'admiration : Jean Cocteau)
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In September 2008, at the crack of dawn, a small film crew met in a house in Provence to give substance to a memory. During his childhood, whilst watching television, Vincent Dieutre heard Jean Cocteau’s La Voix humaine—created by Berthe Bovy with the Comédie française in 1930. He set out to...
I am in Chicago for a festival but also to reflect, to know where I stand with the other. With the world too. There, everything that undermines our daily life is exacerbated; love, snow and oblivion, my letter is the chronicle of "this winter of love", the unstable record of this freezing of...
Staying in the Argentinian capital, Vincent Dieutre compares his memories of a Buenos Aires magnified by the Argentinians in exile at the end of the 1970s, and with whom he associated, with what the city offers him today. His film rings out like an adieu to the fantasies of the past, while...
“My best friend, Anna, asked me if I would mind taking her fifteen-year-old son Itvan to Berlin with me. I accepted immediately.” An elegant, refined man in his forties sets off with Itvan on a long, enjoyable journey, his Winter Journey. They cross snowbound Germany by car. As the man drives...
